The art of translation
ĀŅĀ׊”æÉ°® Associate Professor of German Studies Daniel Bowles received some welcome news recently, when he learned that the English-language version of Swiss author Christian Krachtās novel Eurotrashāwhich Bowles translated from its original Germanāhas been longlisted for the 2025 International Booker Prize.
The annual prize, split equally between author and translator, recognizes fiction from around the world that has been translated into English and published in the United Kingdom and/or Ireland. Eurotrash is one of 13 titlesārepresenting novels and short story collectionsāon the longlist. The six-book International Booker Prize shortlist will be released on April 8, and the winner will be announced at a ceremony in London on May 20.
Eurotrash follows the odyssey of Christian, a jaded writer who embarks on a tragicomic road trip with his elderly mother and her ill-gotten wealth. The novel has received plaudits from major reviewers such as Publishers Weekly and The Times (U.K.), which included it among the āBest Books of 2024.ā
āItās a tremendous and humbling honor to be recognized, together with the author,ā said Bowles, who is working in Hamburg, Germany, this semester. āFor a translator, the International Booker Prize is as close to the Nobel Prize for Literature as one can get, so Iām pretty excited. To have been involved with one of 13 books chosen from among 154 nominations from all around the world is also immensely gratifying.ā
For Bowles, the experience of working with Kracht has been an honor in and of itself: Theyāve collaborated on several translations, beginning with Krachtās 2012 novel, Imperium, which earned Bowles the Goethe-Institutās Helen & Kurt Wolff Translatorās Prize.
āChristian is a leading voice in contemporary German literature and already enjoys a strong following in the German-speaking world, so Iām all the happier to be a part of this recognition of his work among Anglophone readerships,ā said Bowles. āHaving written Imperium, he was looking for a translator and contacted me to gauge my interest after heād read my translations of two books by Thomas Meinecke, which heād enjoyed. At the time, I was already a fan of his first three novels so there was no question in my mind whether to send him a sample.
āOnce it was official and I had completed a draft, he traveled to Boston the weekend before the 2013 Marathon bombing to look through the manuscript with me. Because of the lockdown order, we spent the week holed up inside reading the manuscript aloud to one another, from beginning to end. That started a tradition weāve kept going to this day. I have enormous respect for the beauty of his writing in German, and he rightfully keeps his writing process private, so I only ever see the German original once itās in corrected galleys.ā
Bowlesās job goes beyond the more familiar idea of what a translator does: making words in one language understandable for people who speak or read in a different language.
āWith āliterary translation,ā thereās the implication that the translator is dealing with a work of art, shepherding and transforming it from one language into another, from one culture to another,ā he explained. āLiterature is, after all, art: an artful use of language in written form. But every linguistic culture has its own aesthetic proclivities, its own ways of producing and judging literary art. So, itās vital to understand and recognize what those are and to find ways to render them in a different language where they convey a similar feeling, tone, atmosphere, meaning, and so forth. Itās not just about the words but about contexts, subtexts, and aesthetics, too.ā
Readingāādeeply, carefully, and a lotāāis a must for an effective literary translator, said Bowles.
āWhen I was in high school, I was very fortunate to have literature teachers who helped me develop a sense for the aesthetics of language and who encouraged my lifelong enthusiasm for reading. And Iām very lucky to be here at ĀŅĀ׊”æÉ°® where my research and teaching involve making sense, with my students, of that documentation of human cultures and creativity and wisdom in literature. Thatās valuable practice and opportunity for encountering the formativeness of literature as art. The best part? Thereās always more to read and grapple with.ā
Bowles is already at work on the translation of Krachtās newest novel, Air, which is being published in German this month. āEach of his novels is so vastly different from the one before, and this is no exception, save for the beauty and sound of his writing.ā
In addition, two other English translations of Bowlesāauthor of the 2015 book The Ends of Satire: Legacies of Satire in Postwar German Writingāare scheduled for publication later this year: a new novel by German author Jan Philipp Sendker, and Uwe Wittstockās nonfiction book Marseille 1940, which recounts how German Jewish and leftist refugees in France escaped fascism with the help of Varian Fryās Emergency Rescue Committee.